Browsing by Subject Beckett, Samuel, 1906-1989 -- Criticism and interpretation
Showing results 1 to 9 of 9
Issue Date | Title | Author(s) |
2018 | Breaking Beckettian borders | Ricards, Lydia Hope |
2005 | The inarticulable in Samuel Beckett's late short prose works | Vassallo, Martha (2005) |
2002 | Intertextueller dialog: Dantes ‘Belacqua’ in Samuel Becketts Roman Dream of Fair to Middling Women | Schödel, Kathrin |
2021 | Maria Maddalena de’ Pazzi’s parable of the incarnation and Salvific redemption : “The Humanifed Word,” “the Dry Bleeded Lamb” and “the Created Trinity” | Camilleri, Charló |
2017 | Musicality and meaning in the theatre of Samuel Beckett | Cuschieri, Maria |
2013 | Nothing is more real than nothing : nothingness as an achievement in Samuel Beckett's 'Waiting for Godot', 'Endgame' and 'Happy days' | Spiteri, Gabriella May |
1972 | Philosophical influences on the work of Samuel Beckett | Buttigieg, Joseph S. (1972) |
2016 | Samuel Beckett and the theatrical expression of the human psyche : five major post-war plays : from Waiting for Godot to Not I (1953-73) | Grogan, Joshua |
2006 | The semiotics of Samuel Beckett's drama | Cauchi Santoro, Roberta (2006) |