Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/101832
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dc.date.accessioned2022-09-15T09:53:03Z-
dc.date.available2022-09-15T09:53:03Z-
dc.date.issued2022-
dc.identifier.citationBorg, D. (2022). The witness of beauty (Licentiate dissertation).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/101832-
dc.descriptionS.Th.L.(Melit.)en_GB
dc.description.abstractThis thesis provides a lifelong journey of the artist that instils a sense of discovery and a continuous search for epiphanies of beauty. This kind of “Beauty will save the world!” This salvific endeavour may shape the life, the style and one’s artistic expression. The redemptive art form of Kintsugi may portray the divine technique of restoring humanity and making of its brokenness a valuable work of art. The 21st century Church is ever seeking to rebuild bridges with the world of art. The artist may be present in the middle of this conversation in order to be enhanced and fostered. The magisterium sheds light on this quest to exhort the artist to respond to the call, while one’s art and creativity will become a powerful instrument of evangelisation. Whereas the spiritual journey behind religious art draws up the human heart, the sacred art engages the faithful into the transcendent realm of Beauty. The evoking divine call to transcendence makes the way of beauty a path towards salvation. A path to be discovered, lived and proclaimed by the Church and the artist as a witness of beauty.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectReligious arten_GB
dc.subjectChristianity and the artsen_GB
dc.subjectCreative ability -- Religious aspects -- Christianityen_GB
dc.subjectArt and religionen_GB
dc.titleThe witness of beautyen_GB
dc.typemasterThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentFaculty of Theologyen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorBorg, David (2022)-
Appears in Collections:Dissertations - FacThe - 2022

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