Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/10199
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dc.date.accessioned2016-04-29T12:16:57Z
dc.date.available2016-04-29T12:16:57Z
dc.date.issued2013
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/10199
dc.descriptionM.PERFORMANCE STUD.en_GB
dc.description.abstractThe aim for this study is to identify relationships between globalization and the theory of appropriation in performing arts. The purpose is to discover the positive and the negative influences of globalization in relation to artistic ownership and authenticity. It will draw on a case study from the theatre work of Robert Wilson and his experimental opera ‘The Life and Death of Marina Abramovic’. The analysis of the findings may be useful in direct future research on performing arts, cultural studies, and postmodern critical theory.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectGlobalizationen_GB
dc.subjectPostmodernismen_GB
dc.subjectCreation (Literary, artistic, etc.)en_GB
dc.subjectCopyrighten_GB
dc.titlePerforming arts in the age of globalization : the visible and the in-visibleen_GB
dc.typemasterThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentSchool of Performing Arts. Department of Dance Studiesen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorProkopia Adamidou, Maria
Appears in Collections:Dissertations - SchPA - 2013

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