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Title: | La tradición novelística de La familia de Pascual Duarte |
Authors: | Garrido Ardila, Juan Antonio |
Keywords: | Cela, Camilo José, 1916-2002 -- Criticism and interpretation Cela, Camilo José, 1916-2002. Familia de Pascual Duarte Spanish prose literature -- 20th century -- History and criticism. Spanish literature -- 20th century -- History and criticism Spanish fiction -- 20th century -- History and criticism |
Issue Date: | 2014 |
Publisher: | Oviedo University Press |
Citation: | Garrido Ardila, J. A. (2014). La tradición novelística en La familia de Pascual Duarte. Archivum, (64), 127-156 |
Abstract: | Este trabajo procura situar La familia de Pascual Duarte en el desarrollo de la novela
española de la primera mitad del siglo XX. Se señala primeramente su entronque con
las novelas prototremendistas de la España nacional durante la Guerra, especialmente
las de Iribarren, Borrás, García Serrano, García Suárez y Carretero Novillo. Se considera después sus similitudes con la picaresca de La busca de Baroja. Por último se
repara en el uso de la ironía merced al principio de la denominada novela jánica y que
tiene en San Manuel Bueno, mártir de Unamuno su precedente más inmediato. De
esta suerte, se presenta Pascual Duarte no como el inicio de la novela de postguerra,
sino como la continuación del realismo picaresco de Baroja, la novela jánica de Unamuno y el tremendismo desarrollado en la España nacional. This article considers the place of La familia de Pascual Duarte in the course of the Spanish novel during the first half of the twentieth century. Firstly, it considers how this novel follows in the footsteps of the pre-tremendista works published in National Spain during the Civil War, namely those by Iribarren, Borrás, García Serrano, García Suárez and Carretero Novillo. Secondly, it examines its affinities with Baroja’s picaresque novel La busca. Thirdly, it underscores its irony in the fashion of the Janus-faced novel, whose most immediate precedent was Unamuno’s San Manuel Bueno, mártir. Accordingly, this piece submits that, not only does Pascual Duarte mark the beginning of the post-war novel, but it was written in the wake and fashion of Baroja’s previous picaresque works, Unamuno’s Janus-faced fiction, and the tremendista novels published by the supporters of the National army. |
URI: | https://www.um.edu.mt/library/oar/handle/123456789/102450 |
Appears in Collections: | Scholarly Works - FacArtSpa |
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