Please use this identifier to cite or link to this item:
https://www.um.edu.mt/library/oar/handle/123456789/10537Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.date.accessioned | 2016-05-17T12:30:20Z | - |
| dc.date.available | 2016-05-17T12:30:20Z | - |
| dc.date.issued | 2015 | - |
| dc.identifier.uri | https://www.um.edu.mt/library/oar//handle/123456789/10537 | - |
| dc.description | B.A.(HONS)MUSIC | en_GB |
| dc.description.abstract | The aim of this dissertation is to provide my personal holistic approach for studying these works in preparation for my piano recital. In addition to historical, analytical and performance practice aspects, I will also focus on certain concepts of piano technique and interpretational challenges specific to the repertoire under discussion, and provide an insight into certain practice strategies which I have devised and implemented in order to enhance my performance of these works. The selection of repertoire for my piano recital encompasses five works from different eras, thus revealing an exceptional development in compositional styles and a wide spectrum of keyboard techniques. The programme, which will be presented and performed in chronological order, incorporates three keyboard sonatas by Scarlatti, Haydn's last piano sonata, two Impromptus by Schubert, Schumann's Papillons, and Bartók's 6 Dances in Bulgarian Rhythm. | en_GB |
| dc.language.iso | en | en_GB |
| dc.rights | info:eu-repo/semantics/restrictedAccess | en_GB |
| dc.subject | Piano -- Methods | en_GB |
| dc.subject | Sonatas (Harpsichord) | en_GB |
| dc.subject | Performance practice (Music) | en_GB |
| dc.title | A piano recital | en_GB |
| dc.type | bachelorThesis | en_GB |
| dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
| dc.publisher.institution | University of Malta | en_GB |
| dc.publisher.department | School of Performing Arts. Department of Music Studies | en_GB |
| dc.description.reviewed | N/A | en_GB |
| dc.contributor.creator | Galea, Marisa | - |
| Appears in Collections: | Dissertations - SchPA - 2015 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 15BAMUS005.pdf Restricted Access | 2.62 MB | Adobe PDF | View/Open Request a copy |
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