Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/107123
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dc.date.accessioned2023-03-07T10:39:10Z-
dc.date.available2023-03-07T10:39:10Z-
dc.date.issued2021-07-
dc.identifier.citationCamilleri, C. (2021, July 21). At the threshold of two worlds. The Malta Independent, https://www.pressreader.com/malta/malta-independent/20210727/281573768726919.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/107123-
dc.description.abstractUpon visiting Antonio Mifsud’s workshop to pick up a commissioned painting to be used in an upcoming publication of philosophical poetry by the late Carmelite Friar Felician Bezzina, the author found himself plunged in an outburst of bright colours, mostly reds and yellows. The artist was inspired by the mystical doctrine of Carmel as expressed in John of the Cross’ writings, pregnant with symbolic language of darkness and hope.en_GB
dc.language.isoenen_GB
dc.publisherStandard Publications Ltd.en_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectFlorenskii, P. A. (Pavel Aleksandrovich), 1882-1937 -- Criticism and interpretationen_GB
dc.subjectPainting, Modern -- Maltaen_GB
dc.subjectArtists -- Maltaen_GB
dc.subjectArt -- Philosophyen_GB
dc.subjectArt, Maltese -- 21st century -- Exhibitionsen_GB
dc.subjectHoly Cross in arten_GB
dc.titleAt the threshold of two worldsen_GB
dc.typenewspaperArticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewednon peer-revieweden_GB
dc.contributor.creatorCamilleri, Charló-
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