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Title: | I remember, I remember so as not to forget!’ Orhan Pamuk and the splenetic Périples of mediterranean writing |
Other Titles: | Marxism,postcolonial theory and the future of critique |
Authors: | Bugeja, Norbert |
Keywords: | Pamuk, Orhan, 1952- -- Criticism and interpretation Authors, Turkish -- 20th century -- Biography Istanbul (Turkey) -- Description and travel Istanbul (Turkey) -- Pictorial works Turkey -- History -- 20st century |
Issue Date: | 2018 |
Publisher: | Routledge |
Citation: | Bugeja, N. (2018). ”I remember, I remember so as not to forget!” Orhan Pamuk’s Melancholic Agency and the Splenetic Périples of Mediterranean Writing. In S. Deckard, & R. Varma (Eds.), Marxism, Postcolonial Theory and the Future of Critique (pp. 37-60). New York and London: Routledge. |
Abstract: | In the post-war context addressed by Orhan Pamuk, the voice of an irrevocable and haunting historical loss elaborated by Tanpinar was to acquire a 'name,' as well as specific properties that Pamuk distilled from Tanpinar's own forlorn spaces. Huzun in Pamuk's purview embodies what Benita Parry, in her seminal work Postcolonial Studies: A Materialist Critique, has termed "the consciousness of historical continuity". Pamuk's fiction strives to replenish a certain crisis of memory as an ongoing struggle to ward off the danger of a bequeathal of consciousness being rendered illegible. In Pamuk's oeuvre, the struggle over the articulation of consciousness is mediated and re-mediated through the post-progressive moment: his writing operates in the fading political light of a secular, modern, progressivist, Kemalist republicanism. The existential nihilism that for Wendy Brown results from post-progressive time, and that Pamuk captures in his melancholic vignettes of post-imperial Istanbul, pervades much of the memorial writing produced in the basin. |
URI: | https://www.um.edu.mt/library/oar/handle/123456789/107229 |
ISBN: | 9781315644035 |
Appears in Collections: | Scholarly Works - FacArtEng |
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