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https://www.um.edu.mt/library/oar/handle/123456789/108146Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.date.accessioned | 2023-04-05T11:35:28Z | - |
| dc.date.available | 2023-04-05T11:35:28Z | - |
| dc.date.issued | 2022 | - |
| dc.identifier.citation | Martin, M. (2022). A study of liveness in online performance (Bachelor's dissertation). | en_GB |
| dc.identifier.uri | https://www.um.edu.mt/library/oar/handle/123456789/108146 | - |
| dc.description | B.A.(Melit.) | en_GB |
| dc.description.abstract | This dissertation sets out to analyse the ever-increasing digital influence on theatre by discussing the latter in relation to online performance and by comparing the nature of online and live performance. The research problem I will be tackling rests on the question of whether online performance can be considered as containing liveness. I will be taking on this issue by discussing online performance in relation to different elements of performance such as spectatorship, the role of the actor, and the performance space. This will allow me to recognise the difference between the two types of performance, helping me in identifying the impact that online performance has on live performance and vice-versa. My research will be supported by two expert interviews which will help me with my findings. In the end, the aim of my research is to contribute critically to the recognition that digital technology is ever-changing, and thus so are the performance methods and definitions that people had been used to. | en_GB |
| dc.language.iso | en | en_GB |
| dc.rights | info:eu-repo/semantics/restrictedAccess | en_GB |
| dc.subject | Theater -- Production and direction | en_GB |
| dc.subject | Theater -- Technological innovations | en_GB |
| dc.subject | Digital media | en_GB |
| dc.title | A study of liveness in online performance | en_GB |
| dc.type | bachelorThesis | en_GB |
| dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
| dc.publisher.institution | University of Malta | en_GB |
| dc.publisher.department | School of Performing Arts. Department of Theatre Studies | en_GB |
| dc.description.reviewed | N/A | en_GB |
| dc.contributor.creator | Martin, Mathea (2022) | - |
| Appears in Collections: | Dissertations - PATS - 2022 Dissertations - SchPA - 2022 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 22BATHS001.pdf Restricted Access | 4.55 MB | Adobe PDF | View/Open Request a copy |
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