Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/108757
Full metadata record
DC FieldValueLanguage
dc.contributor.authorPartridge, J. K.-
dc.contributor.authorJeal, Frank-
dc.contributor.authorCooke, P. R.-
dc.date.accessioned2023-04-21T06:09:13Z-
dc.date.available2023-04-21T06:09:13Z-
dc.date.issued1977-05-
dc.identifier.citationPartridge, J. K. & Jeal, F. (1977). The Maltese zaqq. The Galpin Society Journal, 30, 112-144.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/108757-
dc.descriptionWith music transcriptions and notes on the music by P. R. Cookeen_GB
dc.description.abstractOf those instruments that fall within the category of 'bagpipes' few are less known or more poorly documented than that of Malta. The paucity of information regarding the Maltese bagpipe is reflected in that even in Baines's far-ranging and informative book on bagpipes it receives only brief mention. It was, indeed, Baines's remark that 'an interesting offshoot of the Aegean group of bagpipes exists or has existed, in Malta' that inspired the present investigation. This became possible when parents of one of the authors (J.K.P.) became resident there, and gives the results of three visits to the Islands in Dec. 1971, Dec. 1972 and Sept. 1973. It became apparent at the outset that an immediate investigation was called for, as the instrument appeared to be on the verge of extinction, and only a very few elderly players remained. Furthermore it was considered that the Maltese bagpipe might be uniquely interesting in view of Malta's position as a 'cultural crossroads' having been influenced by, or owned by, peoples of widely different origins, Phoenicians, Arabs, Greeks, Italians, French and British amongst them. Also, being confined to Malta and Gozo, the instrument has a clearly defined geographical distribution which precludes 'overlap' with other neighbouring types of bagpipe, and within which the instrument has been able to evolve independently. In view of these factors, an attempt has been made to retrieve and document every piece of available information on the instrument, whether of a musical, sociological or ethnological nature, and regardless of whether it seemed of importance or not. It is not possible with our present-day value judgments to know what will be of greatest significance to the investigator of the future, and with the impending disappearance of the instrument it seemed essential to record all obtainable pertinent information as of equal value. We have also collated as many published references as we could find to the existence of bagpipes on Malta and Gozo, so that this paper may also serve as a bibliography of the Maltese bagpipe. No doubt many stones have been left unturned, but the results of our inquiries are here presented.en_GB
dc.language.isoenen_GB
dc.publisherGalpin Societyen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectŻaqq (Musical instrument)en_GB
dc.subjectWoodwind instruments -- Maltaen_GB
dc.subjectFolk music -- Maltaen_GB
dc.subjectArrangement (Music)en_GB
dc.titleThe Maltese Zaqqen_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedpeer-revieweden_GB
dc.publication.titleThe Galpin Society Journalen_GB
Appears in Collections:Melitensia Works - ERCMusLM

Files in This Item:
File Description SizeFormat 
J. K. Partridge_Frank Jeal_The Maltese Zaqq.pdf4.32 MBAdobe PDFView/Open


Items in OAR@UM are protected by copyright, with all rights reserved, unless otherwise indicated.