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Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/108800
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dc.date.accessioned2023-04-21T13:00:34Z-
dc.date.available2023-04-21T13:00:34Z-
dc.date.issued2012-
dc.identifier.citationBriffa, V. (2012). Unni Askeland. National Museum of Fine Arts, Valletta.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/108800-
dc.description.abstractThere are many points I would like to touch on concerning this exhibition, but, in order to keep my introduction short, I will mainly focus on why I think Unni Askeland has named this exhibition: “Friezed… [continued]”. Therefore I ask myself - how can I reconcile the title of the show with the work we see around us? As you are possibly aware, in architecture, a frieze normally refers to any long horizontal decorative panel. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectAskeland, Unni, 1962-en_GB
dc.subjectArtists -- Norwayen_GB
dc.subjectExhibitions -- Maltaen_GB
dc.subjectPaintingen_GB
dc.titleUnni Askelanden_GB
dc.typeexhibitionen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewednon peer-revieweden_GB
dc.contributor.creatorBriffa, Vince-
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