A case study on the minority group of Maltese male dancers

Abstract

This case study delves into the experience of Maltese male dancers as a minority group, as an analysis and reflection of the construction and choreography of masculinity within Western theatre dance in the context of the Maltese Islands. A thorough review of statistical research on the percentage of male participation in dance education by the National Statistics Office of Malta contextualises the need for this study. Qualitative research is opted for as the methodology to obtain insight on Maltese male dancers' educational and professional dance experiences. Semi-structured interviews were conducted with four Maltese men who identify themselves as trained, studying or professional dancers. Significant themes within the findings are analysed and discussed alongside academic literature on men in dance. Similarly to findings of international research, Maltese male dancers experience marginalisation and negotiate their masculine identities accordingly, although they are also shown support from various persons and organisations. While the number of Maltese male dancers remains comparatively low to female dancers, it is increasing with time.