Please use this identifier to cite or link to this item:
https://www.um.edu.mt/library/oar/handle/123456789/116473
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Briffa, Vince | - |
dc.date.accessioned | 2023-12-14T16:50:03Z | - |
dc.date.available | 2023-12-14T16:50:03Z | - |
dc.date.issued | 2023 | - |
dc.identifier.citation | Briffa,V. (2023). Foreword. In A. Attard, Exposure – Fragmented Sculptures on an Island Coast. Malta: Kite Publishers. | en_GB |
dc.identifier.uri | https://www.um.edu.mt/library/oar/handle/123456789/116473 | - |
dc.description.abstract | Natural rock formations elicit feelings of persistence, strength, and permanence due to their harsh and enduring nature. To the naked eye, they deceptively define an unshakable resistance to the natural elements, as they progressively distort over time beneath the harsh battering of the persistent wind and water. To the casual observer, these rock formations represent nature's timelessness, as Susan Sontag's perspective on our relationship to change of place over time reinforces: "Time exists so that everything doesn't happen all at once...". Visiting a rocky coastline on a number of occasions over the course of a lifetime does not normally result in much of a change in our perception of it, confirming that observation of a place over time appears to remain the same; however, Sontag's second part of the sentence, which reflects on the place where change occurs "...and space exists so that it doesn't all happen to you," alters the dynamic interplay between place and memory; from a personal relation based on emotional connection, to a commonly shared narrative of place based on cultural ideals, cumulative recollections, and collective meaning. | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | Kite Publishers | en_GB |
dc.rights | info:eu-repo/semantics/restrictedAccess | en_GB |
dc.subject | Photography -- Malta | en_GB |
dc.subject | Coasts -- Malta | en_GB |
dc.subject | Landforms -- Malta | en_GB |
dc.subject | Photographers -- Malta | en_GB |
dc.title | Foreword : Re-imagining Ogygia [Exposure – fragmented sculptures on an island coast] | en_GB |
dc.title.alternative | Exposure – fragmented sculptures on an island coast | en_GB |
dc.type | bookPart | en_GB |
dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
dc.description.reviewed | peer-reviewed | en_GB |
Appears in Collections: | Scholarly Works - FacMKSDA |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
FOREWORD_2023.pdf Restricted Access | 132.56 kB | Adobe PDF | View/Open Request a copy |
Items in OAR@UM are protected by copyright, with all rights reserved, unless otherwise indicated.