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DC Field | Value | Language |
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dc.contributor.author | Vella, Charlene | - |
dc.date.accessioned | 2024-03-25T06:55:57Z | - |
dc.date.available | 2024-03-25T06:55:57Z | - |
dc.date.issued | 2024 | - |
dc.identifier.citation | Vella, C. (2024). An analytical investigation into two of Antonello da Messina’s nephews’ workshop practices : insights into Antonio de Saliba and Salvo d’Antonio’s paintings on Malta. In A.Dubois (Ed.), Alla maniera: technical art history and the meaning of style in 15th to 17th century painting (pp. 97-109). Paris: Peeters Publishers. | en_GB |
dc.identifier.isbn | 9789042952164 | - |
dc.identifier.uri | https://www.um.edu.mt/library/oar/handle/123456789/120228 | - |
dc.description.abstract | This paper analyses the results of scientific investigations as well as what emerged following the eventual conservation and restoration of several Renaissance panels that formed part of four different altarpieces for various churches on Malta. The investigations were carried out at laboratories in Malta beginning in 2010 and are still ongoing. While two of these altarpieces are documented as being commissioned from two of Antonello da Messina’s nephews – Antonio de Saliba and Salvo d’Antonio – the two others are not documented. The study brings to the fore an analysis of the two artists’ workshop methods, one of whom had also worked with Giovanni Bellini in Venice. | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | Peeters Publishers | en_GB |
dc.rights | info:eu-repo/semantics/restrictedAccess | en_GB |
dc.subject | de Saliba, Antonio, 1466-1535. Paintings. Selections | en_GB |
dc.subject | d'Antonio, Salvo, 1499-1525. Paintings. Selections | en_GB |
dc.subject | Christian art and symbolism -- Malta | en_GB |
dc.subject | Painting -- Technique | en_GB |
dc.subject | Painting -- Conservation and restoration -- Malta | en_GB |
dc.title | An analytical investigation into two of Antonello da Messina’s nephews’ workshop practices : insights into Antonio de Saliba and Salvo d’Antonio’s paintings on Malta | en_GB |
dc.title.alternative | Alla maniera : technical art history and the meaning of style in 15th to 17th century painting | en_GB |
dc.type | conferenceObject | en_GB |
dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
dc.bibliographicCitation.conferencename | Twenty-Second Symposium for the Study of Underdrawing and Technology in Painting | en_GB |
dc.bibliographicCitation.conferenceplace | Virtual, 28-30/03/2022 | en_GB |
dc.description.reviewed | peer-reviewed | en_GB |
Appears in Collections: | Scholarly Works - FacArtHa |
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