An analytical investigation into two of Antonello da Messina’s nephews’ workshop practices : insights into Antonio de Saliba and Salvo d’Antonio’s paintings on Malta

Vella, Charlene

Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/120228

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DC Field	Value	Language
dc.contributor.author	Vella, Charlene	-
dc.date.accessioned	2024-03-25T06:55:57Z	-
dc.date.available	2024-03-25T06:55:57Z	-
dc.date.issued	2024	-
dc.identifier.citation	Vella, C. (2024). An analytical investigation into two of Antonello da Messina’s nephews’ workshop practices : insights into Antonio de Saliba and Salvo d’Antonio’s paintings on Malta. In A.Dubois (Ed.), Alla maniera: technical art history and the meaning of style in 15th to 17th century painting (pp. 97-109). Paris: Peeters Publishers.	en_GB
dc.identifier.isbn	9789042952164	-
dc.identifier.uri	https://www.um.edu.mt/library/oar/handle/123456789/120228	-
dc.description.abstract	This paper analyses the results of scientific investigations as well as what emerged following the eventual conservation and restoration of several Renaissance panels that formed part of four different altarpieces for various churches on Malta. The investigations were carried out at laboratories in Malta beginning in 2010 and are still ongoing. While two of these altarpieces are documented as being commissioned from two of Antonello da Messina’s nephews – Antonio de Saliba and Salvo d’Antonio – the two others are not documented. The study brings to the fore an analysis of the two artists’ workshop methods, one of whom had also worked with Giovanni Bellini in Venice.	en_GB
dc.language.iso	en	en_GB
dc.publisher	Peeters Publishers	en_GB
dc.rights	info:eu-repo/semantics/restrictedAccess	en_GB
dc.subject	de Saliba, Antonio, 1466-1535. Paintings. Selections	en_GB
dc.subject	d'Antonio, Salvo, 1499-1525. Paintings. Selections	en_GB
dc.subject	Christian art and symbolism -- Malta	en_GB
dc.subject	Painting -- Technique	en_GB
dc.subject	Painting -- Conservation and restoration -- Malta	en_GB
dc.title	An analytical investigation into two of Antonello da Messina’s nephews’ workshop practices : insights into Antonio de Saliba and Salvo d’Antonio’s paintings on Malta	en_GB
dc.title.alternative	Alla maniera : technical art history and the meaning of style in 15th to 17th century painting	en_GB
dc.type	conferenceObject	en_GB
dc.rights.holder	The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.	en_GB
dc.bibliographicCitation.conferencename	Twenty-Second Symposium for the Study of Underdrawing and Technology in Painting	en_GB
dc.bibliographicCitation.conferenceplace	Virtual, 28-30/03/2022	en_GB
dc.description.reviewed	peer-reviewed	en_GB
Appears in Collections:	Scholarly Works - FacArtHa

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