Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/121651
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dc.date.accessioned2024-04-30T12:43:25Z-
dc.date.available2024-04-30T12:43:25Z-
dc.date.issued2023-
dc.identifier.citationDingli, E. (2023). Nature as consolation: a reading of William Blake's ‘Songs of Innocence and Songs of Experience’, William Wordsworth's ‘The Prelude’ and Samuel Coleridge's works in the ‘Lyrical Ballads’ and the ‘Conversation Poems’ (Bachelor's dissertation).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/121651-
dc.descriptionB.A. (Hons)(Melit.)en_GB
dc.description.abstractThis dissertation will touch upon the theme of nature in the Romantic Age, shedding light particularly on the early poets named William Blake, William Wordsworth and Samuel Taylor Coleridge respectively. Whilst looking at their works, an observation is to be made with relevance to the previous era, named the Enlightenment, also known as the Augustan Age. Through the differing and defining qualities of both Eras, a contrast can quite clearly be seen. Moving forth, to the discussion of the respective poets, all three of them knowingly discuss nature, each in their own unique understanding. Nevertheless, there seems to be a common understanding which seems to pertain to all of them; the effects of the devastating and pivotal events of the French Revolution, to which hence, each poet used their own work to cope. This can be seen in the way that William Blake makes use of the Poetic Vision, the use of the imagination with William Wordsworth, and lastly Samuel Taylor Coleridge makes use of the Supernatural to seek Nature, as a consolation.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectBlake, William, 1757-1827. Songs of innocence and of experience -- Criticism and interpretationen_GB
dc.subjectWordsworth, William, 1770-1850. Prelude -- Criticism and interpretationen_GB
dc.subjectColeridge, Samuel Taylor, 1772-1834. Poems. Selections -- Criticism and interpretationen_GB
dc.subjectEnglish poetry -- 18th centuryen_GB
dc.subjectEnglish poetry -- 19th centuryen_GB
dc.subjectNature in literatureen_GB
dc.titleNature as consolation : a reading of William Blake's ‘Songs of Innocence and Songs of Experience’, William Wordsworth's ‘The Prelude’ and Samuel Coleridge's works in the ‘Lyrical Ballads’ and the ‘Conversation Poems’en_GB
dc.typebachelorThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentFaculty of Arts. Department of Englishen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorDingli, Emma (2023)-
Appears in Collections:Dissertations - FacArt - 2023
Dissertations - FacArtEng - 2023

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