Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/122076
Full metadata record
DC FieldValueLanguage
dc.date.accessioned2024-05-10T08:02:32Z-
dc.date.available2024-05-10T08:02:32Z-
dc.date.issued2023-
dc.identifier.citationTabone, F. (2023). Representation of the athlete in sports writing (Master's dissertation).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/122076-
dc.descriptionM.A.(Melit.)en_GB
dc.description.abstractThis dissertation explores sports writing with an analysis of Alex Bellos’s Futebol: The Brazilian Way of Life, Pete Davies’s One Night in Turin, Nick Hornby’s Fever Pitch, Kerry Howley’s Thrown, Norman Mailer’s The Fight, Ernest Hemingway’s The Sun Also Rises, and David Foster Wallace’s essay ‘Roger Federer as Religious Experience’ through the work of Seymour Chatman, Jonathan Culler, Stuart Hall, Roland Barthes, Shlomith Rimmon-Kenan, Jakob Lothe, Joseph Campbell, and Donald Morrill to illustrate how there is literary value in the genre, particularly in the depiction of athletes. The first chapter highlights the aestheticisation of athletes and the ways sports writers describe the beauty that is found in sports figures’ movements and skills. In this respect, the analysis focuses on S. K. Wertz’s four qualities that contribute to the aestheticisation of sport and Walter Thomas Schmid’s application of Immanuel Kant’s notion of aesthetic judgements to form a ‘Kantian theory of sport’. The second chapter explores the depiction of the athlete as a hero and an icon. This is primarily done through an application of Joseph Campbell’s hero monomyth, highlighting the dramatic highs and lows that an athlete might experience, together with Joshua Andrew Shuart’s notion of the ‘societal hero’ and how they become popular within communities. Lastly, the third chapter then moves on to how sports writers can represent various aspects of different cultures through their depictions of athletes. This analysis centres around Stuart Hall’s systems of representation and how representation of meaning through language is identified. Additionally, this chapter also applies Roland Barthes’s semiotic view of language and representation, particularly his ideas of denotation and connotation to allow for an analysis of the representation of different cultural traits, together with instances of social struggle. Therefore, this dissertation outlines how despite it being a relatively underappreciated genre by literary theorists, sports writing still possesses literary value, especially within character analysis. This literary value is highlighted in further detail through an analysis of the aforementioned works.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectSports literatureen_GB
dc.subjectAthletes in literatureen_GB
dc.subjectHeroes in literatureen_GB
dc.subjectAestheticsen_GB
dc.subjectCampbell, Joseph, 1904-1987 -- Criticism and interpretationen_GB
dc.subjectKant, Immanuel, 1724-1804 -- Criticism and interpretationen_GB
dc.titleRepresentation of the athlete in sports writingen_GB
dc.typemasterThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorTabone, Fabrizio (2023)-
Appears in Collections:Dissertations - FacArt - 2023
Dissertations - FacArtEng - 2023

Files in This Item:
File Description SizeFormat 
2318ATSENG501500013197_1.PDF
  Restricted Access
1.23 MBAdobe PDFView/Open Request a copy


Items in OAR@UM are protected by copyright, with all rights reserved, unless otherwise indicated.