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Title: | The symbol of the moon in paintings of the Immaculate Conception |
Authors: | Attard Hili, Aaron |
Keywords: | Pius IX, Pope, 1792-1878 Immaculate Conception -- Cult -- Malta – History Immaculate Conception in art Art, Baroque -- Malta – History Gozo (Malta) – History Sanctuary of the Immaculate Conception (Qala, Malta) -- History Painters -- Malta -- Biography Barocci, Federigo, 1528-1612 Zimech, Carlo, 1696-1796 |
Issue Date: | 2004-12-05 |
Publisher: | Allied newspapers Ltd |
Citation: | Attard Hili, A. ( 2004, December 5). The symbol of the moon in paintings of the Immaculate Conception. Sunday Times, pp. 50-51 |
Abstract: | The talented artists who decided to portray the theme of the Immaculate Conception drew their inspiration from the Bible. This is evident in the graceful depiction of the feminine form, particularly that of the Virgin Mary. The Virgin Mary has been associated with the Moon, since the moon is a symbol of fertility and femininity. |
URI: | https://www.um.edu.mt/library/oar/handle/123456789/123232 |
Appears in Collections: | Melitensia Works - ERCFAPai |
Files in This Item:
File | Description | Size | Format | |
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Attard Hili_Aaron_The symbol of the moon in paintings of the Immaculate Conception_The Sunday Times_2004_12_05.PDF Restricted Access | 2.07 MB | Adobe PDF | View/Open Request a copy |
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