Seeing sound : a first-hand exploration of the relationship and translation between visual art and music

Abstract

There has always been a global fascination with the interaction between sound and vision. This dissertation has for its main interest this connection - condensed, examined and understood from a practical point of view. This study is structured in a way that pays particular attention to the notion of ‘translation’ between the two. Artistic practice within the context of this dissertation is split into three stages: collection, curation, and publication. The collection of material was done through one of the research methods applied, namely that of organising a number of practical sessions. The pieces and feedback collected from the individuals participating in the sessions would also make for the derivation of some observations and general conclusions in relation to this study. The research which preceded these sessions looked at a vast array of topics, starting from science, biology and neurology, and going on to synaesthesia, therapy, technology, and education. Examples from the art world were also considered, whilst also regarding literature on the practical aspects of the project, such as curation and art publications. All of the above was backed up by two interviews, conducted as further research, with professionals in the fields of cognitive science and fine art (in relation to sculpture and sound). Despite any unforeseen difficulties, the sessions and study as a whole are considered to have been very successful in achieving their aims, leading to some immensely interesting results and consequent observations. Whilst this project served to provide a mere but sufficient overview of the topic, the subject definitely allows for further elaboration and experimentation, not only within the realm of fine art and in relation to notions of translation and authorship (amongst others), but also leading to research and broader studies in other fields.