Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/19360
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dc.date.accessioned2017-05-23T11:57:16Z-
dc.date.available2017-05-23T11:57:16Z-
dc.date.issued2016-
dc.identifier.citationMagri, P. M. (2016). Knight of cups [film review]. THINK Magazine, 16, 68.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/19360-
dc.description.abstractAn artist often works to break down the boundaries of a medium. The artist’s only tools are personal vision, an unrelenting belief in their work, and the need to convey it to an audience. Then again, an artist must also understand that the shock-value of their work might not only lie in the artistic content but in the manner in which they technically attempt to rewrite the rules, regulating their mode of expression. Today’s cinema is focused on the spectacular, from the competitive use of special effects to weak plots meant for sheer entertainment. And yet, the cinematic medium has so much more to offer and to express.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Maltaen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectMotion pictures -- Reviewsen_GB
dc.subjectKnight of cups (Motion picture : 2015)en_GB
dc.titleKnight of cups [film review]en_GB
dc.typereviewen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorMagri, Philip M.-
Appears in Collections:Think Magazine, Issue 16
Think Magazine, Issue 16

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