Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/21573
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dc.contributor.authorCamilleri, Frank
dc.date.accessioned2017-09-07T07:08:00Z
dc.date.available2017-09-07T07:08:00Z
dc.date.issued2008
dc.identifier.citationCamilleri F. (2008). Collective improvisation: the practice and vision of Ingemar Lindh. The Drama Review, 52(4), 82-97.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/21573
dc.description.abstractIngemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work. After early studies with Étienne Decroux and working collaborations with Jerzy Grotowski, Eugenio Barba, and Yves Lebreton, Lindh founded the first laboratory theatre in Sweden in 1971, the Institutet för Scenkonst. His practice of collective improvisation is viewed in light of postdramatic concerns such as its resistance to fixed scores, directorial montage, and choreography as an organizing principle.en_GB
dc.language.isoenen_GB
dc.publisherThe MIT Pressen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectTheateren_GB
dc.subjectLindh, Ingemar, 1945-1997en_GB
dc.subjectSwedish literatureen_GB
dc.titleCollective improvisation : the practice and vision of Ingemar Lindhen_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holderen_GB
dc.description.reviewedpeer-revieweden_GB
dc.identifier.doi10.1162/dram.2008.52.4.82
dc.publication.titleThe Drama Reviewen_GB
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