Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/21813
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dc.contributor.authorCiantar, Philip-
dc.date.accessioned2017-09-15T10:22:21Z-
dc.date.available2017-09-15T10:22:21Z-
dc.date.issued2016-
dc.identifier.citationCiantar, P. (2016). The singer as individual: pop singers, music and political propaganda in contemporary Maltese electoral campaigns. Music and Politics, 10(1).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/21813-
dc.description.abstractThis article examines the role of pop music in Malta as a tool of political propaganda in contemporary electoral campaigning. Renowned local pop singers have played a very important role in this campaigning. Through the analyses of a number of case studies, this paper will argue that the political message lies not only in the music and the lyrics pronounced by these singers but also in their life histories as members of the society to which they address their message. Who these singers are and the political backgrounds that they come from have become part and parcel of a song’s meaning. In all this, music mediates personal agendas with public political pronouncements, and the shifting of political allegiances with prospects of a promising future in terms of public exposure and the benefits it entails.en_GB
dc.language.isoenen_GB
dc.publisherMichigan Publishingen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectAdvertising, Political -- Maltaen_GB
dc.subjectPolitical campaigns -- Maltaen_GB
dc.subjectSingers -- Maltaen_GB
dc.subjectMusic -- Political aspects -- Maltaen_GB
dc.titleThe singer as individual : pop singers, music and political propaganda in contemporary Maltese electoral campaignsen_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holderen_GB
dc.description.reviewedpeer-revieweden_GB
dc.identifier.doi10.3998/mp.9460447.0010.106-
dc.publication.titleMusic and Politicsen_GB
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