Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/22856
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dc.contributor.authorLagana, Louis-
dc.date.accessioned2017-10-19T10:09:35Z-
dc.date.available2017-10-19T10:09:35Z-
dc.date.issued2010-
dc.identifier.citationLagana, L. (2010).The artist-shaman and primitivism. 5th International Conference on the Arts in Society, Sydney. 1-9.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/22856-
dc.description.abstractOne may ask: What is the relationship between shamanic artists and contemporary artists working on prehistoric models? Few recognise that the relationship actually is very important. I feel that many contemporary artists use traditional shamanic techniques to achieve the spiritual and metaphysical content in their work. It has been said that certain works by individual artists could heal or benefit an audience of viewers or an entire community. Unfortunately few artists regarded prehistoric and other forms of ‘primitive’ art with a potent shamanic content. Many are more interested in the formal aspect. Some of these artists engage themselves in private and painful ‘vision quests’ in their secular search for the sacred. This is why I see that an aspect of Shamanism is being practised today by some contemporary artists, in order to restore and show society the lost spiritual visions of life. One has also to keep in mind that a number of artists are not conscious of themselves as being ‘shamans’ and those who relate to this shamanic quest may at times use shamanic imagery without being aware of its content.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Sydneyen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectArt, Shamanisticen_GB
dc.subjectArt, Prehistoricen_GB
dc.subjectArt, Modern -- 21st centuryen_GB
dc.subjectPrimitivism in arten_GB
dc.subjectMyth in arten_GB
dc.subjectSpiritual biographyen_GB
dc.titleThe artist-shaman and primitivismen_GB
dc.typeconferenceObjecten_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holderen_GB
dc.bibliographicCitation.conferencename5th International Conference on the Arts in Societyen_GB
dc.bibliographicCitation.conferenceplaceSydney, Australia, 22-25/07/2010en_GB
dc.description.reviewedpeer-revieweden_GB
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