Introduction

Abstract

The Ġgantija Art Project explicitly explores the resonance of matter as a fundamental language in a search for a universal meaning through a transcendent spatiotemporal dialogue. The symbiosis of sound and matter, conveyed through Mariella Cassar’s contemporary classical music composition and Victor Agius’s sculptural and media installations, redefines today’s meaning of collective ritual through a combined process of production and reaffirms man’s innate regard for the creative process as a distinctive means of realising a higher state of being.