Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/29140
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dc.contributor.authorSarco-Thomas, Malaika-
dc.date.accessioned2018-04-13T14:16:27Z-
dc.date.available2018-04-13T14:16:27Z-
dc.date.issued2009-
dc.identifier.citationSarco-Thomas, M. (2009). Improvising in Ruyang: community art as ecological practice. Journal of Arts & Communities, 1(1), 45-68.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/29140-
dc.description.abstractThis study reports on the activities of the improvisation-based project TWIG 'Together We Integrate Growth', which developed as a community initiative to facilitate ecological awareness through creative activities. It analyses the TWIG Project as a model for practices of social, mental and natural ecology, as defined by Felix Guattari (2000) and in terms of its ability to use improvisation as a method for developing individual bodily perception and generating community interest in conservation of the local environment. Drawing parallels between TWIG's improvisatory programme and Michel de Certeau's notion of 'play' as an act of political resistance, this article suggests that ecological practice necessarily engages multiple aspects of individuals, their communities and the surrounding environment.en_GB
dc.language.isoenen_GB
dc.publisherIntellect Ltd.en_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectImprovisation in dance -- China -- Ruyangen_GB
dc.subjectCommunity arts projects -- China -- Ruyangen_GB
dc.subjectEcology -- China -- Ruyangen_GB
dc.titleImprovising in Ruyang : community art as ecological practiceen_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holderen_GB
dc.description.reviewedpeer-revieweden_GB
dc.identifier.doi10.1386/jaac.1.1.45/1-
dc.publication.titleJournal of Arts & Communitiesen_GB
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