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DC Field | Value | Language |
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dc.contributor.author | Mifsud Bonnici, Sandra | - |
dc.date.accessioned | 2019-01-18T08:19:36Z | - |
dc.date.available | 2019-01-18T08:19:36Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Mifsud Bonnici, S. (2018). Bernini breaking barriers – sensuality sculpted in stone. Junior College multi-disciplinary conference : research, practice and collaboration : Breaking Barriers : annual conference 2018, Malta. 393-404 | en_GB |
dc.identifier.uri | https://www.um.edu.mt/library/oar//handle/123456789/38642 | - |
dc.description | Also published in Symposium Melitensia Vol. 15 (2019) p. 101-114 | |
dc.description.abstract | This paper will attempt to demonstrate that with his virtuosity, the Baroque sculptor, Gian Lorenzo Bernini managed to challenge the barriers which the medium he worked with, namely stone (marble) offered, to produce dynamic, lifelike and realistic works that also managed to express a previously unknown element in sculpture, that of sensuality. It will try to highlight how the spiritual and physical could come together in his works. The first masterpiece that will be focused upon will be the portrait bust of Bernini’s lover Costanza Piccolomini, a private work Bernini sculpted when he was thirty-nine years of age, chosen to represent the passion and worldly love that he felt for this woman. By way of contrast, the second masterpiece studied in this paper is the figure of the Blessed Ludovica Albertoni, one of his last works, chosen to represent Bernini’s concept of the culmination of spiritual love that also incorporated a sensual element. The third and final masterpiece is the ecstasy of St. Teresa of Avila found in the Cornaro Chapel in the Church of Santa Maria della Vittoria, considered by many as his greatest work, as an example of how mysticism also has a sensual element to it. | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | University of Malta. Junior College | en_GB |
dc.rights | info:eu-repo/semantics/openAccess | en_GB |
dc.subject | Bernini, Gian Lorenzo, 1598-1680 -- Criticism and interpretation | en_GB |
dc.subject | Bernini, Gian Lorenzo, 1598-1680. Costanza Buonarelli -- Criticism and interpretation | en_GB |
dc.subject | Bernini, Gian Lorenzo, 1598-1680. Blessed Ludovica Albertoni -- Criticism and interpretation | en_GB |
dc.subject | Bernini, Gian Lorenzo, 1598-1680. Ecstasy of Saint Teresa -- Criticism and interpretation | en_GB |
dc.subject | Teresa, of Avila, Saint, 1515-1582 -- Art | en_GB |
dc.subject | Sculpture, Baroque -- Italy | en_GB |
dc.subject | Sensuality in art | en_GB |
dc.title | Bernini breaking barriers – sensuality sculpted in stone | en_GB |
dc.type | article | en_GB |
dc.type | conferenceObject | en_GB |
dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder | en_GB |
dc.bibliographicCitation.conferencename | Junior College multi-disciplinary conference : research, practice and collaboration : Breaking Barriers : annual conference 2018 | en_GB |
dc.bibliographicCitation.conferenceplace | 2018 : Msida, Malta | en_GB |
dc.description.reviewed | peer-reviewed | en_GB |
Appears in Collections: | Breaking Barriers : Proceedings Scholarly Works - JCSOK SymMel, 2019, Volume 15 SymMel, 2019, Volume 15 |
Files in This Item:
File | Description | Size | Format | |
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Sandra Mifsud Bonnici.pdf | 4.65 MB | Adobe PDF | View/Open |
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