Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/43254
Full metadata record
DC FieldValueLanguage
dc.date.accessioned2019-05-18T09:07:45Z-
dc.date.available2019-05-18T09:07:45Z-
dc.date.issued2015-
dc.identifier.citationSaid, E. (2015). Audiences’ experiences of the Valletta 2018 brand. Theme 5 the Valletta brand evaluation & monitoring: research findings 2015, 5-15.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/43254-
dc.description.abstractLongitudinal in nature, this project investigates how audiences engage with cultural brands by taking a processual view. The study relies on initial exploratory qualitative efforts (focus group discussions and face-to-face interviews) and ensuing real-time experience tracking (RET) data collection. The use of RET is an innovative aspect in studying cultural brands, moving away from the exclusive focus on influences that impact on audience engagement (as in past studies) to the actual process of engagement that involves multiple touchpoints of the Valletta 2018 brand. Individuals experience and engage with Valletta 2018 brand in two ways – by experiencing direct communications transmitted by the Foundation and by experiencing or engaging in indirect communications like word of mouth or social media exchanges. Tracking experiences across different touchpoints requires a participant observation approach, which suffers from various inadequacies like limited number of participants as well as participants’ social desirability bias. RET mitigates these challenges and helps researchers capture data about experiences across multiple individuals without violating individuals’ privacy. Prior RET studies relied on SMS and online diary approaches. Because of the unconnected character of these approaches, past RET studies suffer from lack of qualitative reflections that participants contribute. This study aims to mitigate this weakness by adopting a smartphone app that offers participants the same functionalities of SMS and online diary approaches. A total of three waves of data capture, each involving 400 participants engaged for a total period of two separate weeks are planned throughout the period 2016 through 2018.en_GB
dc.language.isoenen_GB
dc.publisherValletta 2018 Foundationen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectValletta 2018 European Capital of Cultureen_GB
dc.subjectBranding (Marketing) -- Malta -- Vallettaen_GB
dc.subjectCultural industries -- Malta -- Vallettaen_GB
dc.titleAudiences’ experiences of the Valletta 2018 branden_GB
dc.title.alternativeTheme 5 the Valletta brand evaluation & monitoring: research findings 2015en_GB
dc.typeotheren_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holderen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorSaid, Emanuel-
Appears in Collections:Valletta 2018 Reports

Files in This Item:
File Description SizeFormat 
Audiences_experiences_of_the_Valletta_2018_brand_2015.pdf111.11 kBAdobe PDFView/Open


Items in OAR@UM are protected by copyright, with all rights reserved, unless otherwise indicated.