The various manifestations and applications of oppression in theatre

Abstract

The dissertation investigates the various manifestations and applications of oppression in theatre. Boal’s Forum Theatre and several of Shakespeare’s dramatic texts, implicitly and explicitly indicate an exploration of oppression’s presence within the theatrical framework. The study reflects on how in Boal’s Forum Theatre emphasis is made on the development of collective oppression with regards to the community whereas in Shakespeare’s dramatic texts more focus is made on the development of oppression with regards to the individual. The study also deals with how the application of oppression can be considered as a therapeutic phenomenon achieved via performative practices. Manifestations of oppression evident within both the practice of theatre and the dramatic text are discussed with regards to Applied Theatre processes. Beyond aesthetics, Applied Theatre deals with the effects that theatre practice and the dramatic text can have on the spectators as receivers of theatrical activity. Applied Theatre is effective both as a human development tool and as a function of relief. Oppression in Applied Theatre looks at how the musicality of the dramatic text and the explicit exposition of oppression further support the idea of theatre for development. Oppression’s use in Applied Theatre shows how theory can be of use in a more applicable scenario. Thus, a complete acknowledgment of oppression’s presence in theory and practice may lead to a deeper understanding of both dramatic texts and theatre practices.