From street to stage : hip hop, theatricality and legitimization

Abstract

This dissertation focuses on the culture of Hip Hop as it moves from its origins on the streets into the theatre as well as corporate institutions such as mass media, Hollywood and film. It focuses on whether or not the culture of Hip Hop and all of its artistic elements and styles will survive the transition from its popular roots to a systemized institutional level. Specifically, it outlines how external forces from different organizations and institutions affect the overall aesthetic and the socio-political commentary that Hip Hop is known for. This question raises the issue of authenticity, a controversial debate among members of Hip Hop culture. The work looks at Hip Hop from a theatrical lens, contrasting the phenomenon when it is performed as a theatrical event in comparison to when it is placed within a theatrical event. It examines the effects of spectacular consumption, how the medium changes the culture overall, and what individuals and cultures alien to Hip Hop will ultimately end up perceiving what Hip Hop is.