Issue Date | Title | Author(s) |
2020 | The female voice and the absent mother : a study of selected works by Mary Wollstonecraft and Mary Shelley | Galea, Katya (2020) |
2020 | Ways of escape in fantasy novels : a comparative study of C. S. Lewis’s ‘The lion, the witch and the wardrobe’ (1950) and Mary Hoffman’s ‘City of masks’ (2002) | Fenech, Rachel (2020) |
2020 | Mapping the collective unconscious through myth and symbol in Neil Gaiman’s ‘The Sandman’ | Zammit, Melanie (2020) |
2020 | The Promethean myth in romantic literature with particular reference to Byron and Shelley | Spiteri Bailey, Katrina (2020) |
2020 | Analysing the prominence of Maltese and English in bilingual Malta’s Northern and Southern linguistic landscape | Schembri, Amy (2020) |
2020 | Zadie Smith and the gradual progression of alienation, neoliberalism and nationalism in Britain | Sammut, Philippa (2020) |
2020 | Fighting the misogyny in myth : a feminist reading of James Joyce’s and Margaret Atwood’s adaptations of the Penelope myth | Sacco, Casey (2020) |
2020 | Transgression in Mary Shelley’s ‘Frankenstein; or, the modern Prometheus’ and Oscar Wilde’s ‘The picture of Dorian Gray’ | Rizzo, Alison (2020) |
2020 | ‘We are all animals’ : posthumanism in Jonathan Swift’s ‘Gulliver’s travels’ and Lewis Carroll’s ‘Alice in Wonderland’ and ‘Through the looking-glass’ | Portelli, Beatrice (2020) |
2020 | Or so it goes : the representation of trauma in Kurt Vonnegut’s ‘Slaughterhouse-five’ | Polidano, Kristina (2020) |
2020 | Language choice and code-switching amongst University students | Muscat, Brendan (2020) |
2020 | Attitudes towards code-switching on Maltese television | Laus, Mick-Alan (2020) |
2020 | Compulsory heterosexuality in the ‘coming out’ novel : a study of Sarah Waters’ ‘Tipping the velvet’ and Jeanette Winterson’s ‘Oranges are not the only fruit’ | Grillo, Roxanne (2020) |
2020 | The portrayal of the Orient in romantic poetry : Lord Byron’s ‘The giaour: a fragment of a Turkish tale’ and Samuel Taylor Coleridge’s ‘The rime of the ancient mariner’ | Caruana, Rachel (2020) |
2020 | A reason for desire : the relationship between sensuality and self-actualisation in D. H. Lawrence’s ‘The rainbow’ and ‘Women in love’ | Borg-Marks, Rakela (2020) |
2020 | Reading Dickens from a Bakhtinian perspective : authoring and dialogism in ‘Bleak house’ and ‘Our mutual friend’ | Barbara, Christine (2020) |
2020 | The two falls in ‘Paradise lost’ : free will or predestination? : understanding John Milton’s treatment of the paradox against Aristotle’s ‘Poetics’ | Azzopardi, Shelly (2020) |
2020 | My Sin, my soul : an analysis of the myth of woman as seductress and its consequences for women, men and their flourishing with reference to Vladimir Nabokov’s ‘Lolita’ and Marguerite Duras’s ‘The lover’ | Costa, Thea (2020) |
2020 | An analysis of what and how Enid Blyton teaches through her fiction | Cordina, Elisa Marie (2020) |
2020 | Language as a constituent of the repressed in Evelyn Waugh’s short stories : the limitations and expressions of a genre | Cassar, Cristina (2020) |