Count Saverio Marchese (1757 - 1833) : art history and artistic preferences in later 18th and early 19th century Malta

Abstract

This dissertation aims to discuss the role of Count Saverio Marchese as an art cognizant and as a man of letters. The analyses of this gentleman will help to obtain an understanding of the artistic scene in the late 18th and early 19th century, with regards to intellectual illuminist circles and art collectors. After an introduction to the developments in art theory in Europe and an overview of the arts in Malta at the end of the 18th century, this study will focus on the formation of Marchese and what led him to be an art connoisseur. The influence of his father and of previous men who had studied history and art is discussed. Marchese’s role as a member of the Accademia dell’Arcadia is also analyzed, with particular attention to the kind of intellectual acquaintances Marchese could make through this institution. His connections in the art world, including artists and dealers are also mentioned. Chapter 2 will be related to the manuscript Uomini Illustri di Malta. Its origins and inception are suggested as well as possible sources of influence. Marchese’s annotations and other contributions, as well as his criticism are detailed. An in depth study of Marchese’s library will reveal what were his sources of information. In chapter 3 the role of the press in keeping the literary cultured circle up to date on current events in the art world in discussed, as well as its role in influencing preferences and the art historical information it provided. Chapter 4 is dedicated to Marchese’s collection of paintings, drawings and prints. The study of this collection reveals the artistic tastes of the Count, primarily for the works of the Great Masters. His capture of art history is also made evident through the scope of his collection. The last chapter will deal with what contemporary foreign visitors thought about Malta and its artistic production, both past and current. It will also discuss the rising interest in gathering art historical information.