Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/74545
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dc.contributor.editorDupré, Sven-
dc.contributor.editorHarris, Anna-
dc.contributor.editorKursell, Julia-
dc.contributor.editorLulof, Patricia-
dc.contributor.editorStols-Witlox, Maartje-
dc.date.accessioned2021-04-23T07:18:57Z-
dc.date.available2021-04-23T07:18:57Z-
dc.date.issued2020-
dc.identifier.citationDupré, S., Harris, A., Kursell, J., Lulof, P., & Stols-Witlox, M. (Eds.). (2020). Reconstruction, replication and re-enactment in the humanities and social sciences. Amsterdam University Press.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/74545-
dc.description.abstractIntroduction by Sven Dupré, Anna Harris, Julia Kursell, Patricia Lulof, Maartje Stols-Witloxen_GB
dc.description.abstract1. Replication as a Play on Categories: The Case of Taxidermy by Petra Tjitske Kalshovenen_GB
dc.description.abstract2. Bringing the Past to Life: Material Culture Production and Archaeological Practice by Jill Hilditchen_GB
dc.description.abstract3. Making Musicians Think: The Problem with Organs by Hans Fidomen_GB
dc.description.abstract4. Making Sound Present: Re-enactment and Reconstruction in Historical Organ Building Practices by Julia Kursell and Peter Petersen_GB
dc.description.abstract5. Reconstructions of Oil Painting Materials and Techniques: The HART Model for Approaching Historical Accuracy by Leslie Carlyleen_GB
dc.description.abstract6. Imperfect Copies. Reconstructions in Conservation Research and Practice by Maartje Stols-Witloxen_GB
dc.description.abstract7. Reworking Recipes and Experiments in the Classroom by Thijs Hagendijk, Peter Heering, Lawrence M. Principe and Sven Dupréen_GB
dc.description.abstract8. A Walk as Act / Enact / Re-enactment: Performing Psychogeography and Anthropology by Jo Vergunsten_GB
dc.description.abstract9. Recreating Reconstructions: Archaeology, Architecture and 3D Technologies by Patricia S. Lulofen_GB
dc.description.abstract10. Science and the Knowing Body: Making Sense of Embodied Knowledge in Scientific Experiment by H. Otto Sibumen_GB
dc.language.isoenen_GB
dc.publisherAmsterdam University Pressen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectTaxidermyen_GB
dc.subjectTaxidermy in arten_GB
dc.subjectArchaeologyen_GB
dc.subjectOrgan (Musical instrument)en_GB
dc.subjectOrgan (Musical instrument) -- Constructionen_GB
dc.subjectPainting -- Techniqueen_GB
dc.subjectHistoric preservationen_GB
dc.subjectFormulas, recipes, etc.en_GB
dc.subjectAnthropologyen_GB
dc.subjectThree-dimensional modelingen_GB
dc.titleReconstruction, replication and re-enactment in the humanities and social sciencesen_GB
dc.typebooken_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedpeer-revieweden_GB
dc.identifier.doi10.5117/9789463728003-
Appears in Collections:Melitensia Works - ERCSSSoc

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