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Full metadata record
DC Field | Value | Language |
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dc.contributor.editor | Dupré, Sven | - |
dc.contributor.editor | Harris, Anna | - |
dc.contributor.editor | Kursell, Julia | - |
dc.contributor.editor | Lulof, Patricia | - |
dc.contributor.editor | Stols-Witlox, Maartje | - |
dc.date.accessioned | 2021-04-23T07:18:57Z | - |
dc.date.available | 2021-04-23T07:18:57Z | - |
dc.date.issued | 2020 | - |
dc.identifier.citation | Dupré, S., Harris, A., Kursell, J., Lulof, P., & Stols-Witlox, M. (Eds.). (2020). Reconstruction, replication and re-enactment in the humanities and social sciences. Amsterdam University Press. | en_GB |
dc.identifier.uri | https://www.um.edu.mt/library/oar/handle/123456789/74545 | - |
dc.description.abstract | Introduction by Sven Dupré, Anna Harris, Julia Kursell, Patricia Lulof, Maartje Stols-Witlox | en_GB |
dc.description.abstract | 1. Replication as a Play on Categories: The Case of Taxidermy by Petra Tjitske Kalshoven | en_GB |
dc.description.abstract | 2. Bringing the Past to Life: Material Culture Production and Archaeological Practice by Jill Hilditch | en_GB |
dc.description.abstract | 3. Making Musicians Think: The Problem with Organs by Hans Fidom | en_GB |
dc.description.abstract | 4. Making Sound Present: Re-enactment and Reconstruction in Historical Organ Building Practices by Julia Kursell and Peter Peters | en_GB |
dc.description.abstract | 5. Reconstructions of Oil Painting Materials and Techniques: The HART Model for Approaching Historical Accuracy by Leslie Carlyle | en_GB |
dc.description.abstract | 6. Imperfect Copies. Reconstructions in Conservation Research and Practice by Maartje Stols-Witlox | en_GB |
dc.description.abstract | 7. Reworking Recipes and Experiments in the Classroom by Thijs Hagendijk, Peter Heering, Lawrence M. Principe and Sven Dupré | en_GB |
dc.description.abstract | 8. A Walk as Act / Enact / Re-enactment: Performing Psychogeography and Anthropology by Jo Vergunst | en_GB |
dc.description.abstract | 9. Recreating Reconstructions: Archaeology, Architecture and 3D Technologies by Patricia S. Lulof | en_GB |
dc.description.abstract | 10. Science and the Knowing Body: Making Sense of Embodied Knowledge in Scientific Experiment by H. Otto Sibum | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | Amsterdam University Press | en_GB |
dc.rights | info:eu-repo/semantics/restrictedAccess | en_GB |
dc.subject | Taxidermy | en_GB |
dc.subject | Taxidermy in art | en_GB |
dc.subject | Archaeology | en_GB |
dc.subject | Organ (Musical instrument) | en_GB |
dc.subject | Organ (Musical instrument) -- Construction | en_GB |
dc.subject | Painting -- Technique | en_GB |
dc.subject | Historic preservation | en_GB |
dc.subject | Formulas, recipes, etc. | en_GB |
dc.subject | Anthropology | en_GB |
dc.subject | Three-dimensional modeling | en_GB |
dc.title | Reconstruction, replication and re-enactment in the humanities and social sciences | en_GB |
dc.type | book | en_GB |
dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
dc.description.reviewed | peer-reviewed | en_GB |
dc.identifier.doi | 10.5117/9789463728003 | - |
Appears in Collections: | Melitensia Works - ERCSSSoc |
Files in This Item:
File | Description | Size | Format | |
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Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences.pdf Restricted Access | 4.5 MB | Adobe PDF | View/Open Request a copy |
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