Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/76652
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dc.date.accessioned2021-06-02T07:28:41Z-
dc.date.available2021-06-02T07:28:41Z-
dc.date.issued1999-
dc.identifier.citationVella, T. M. (1999). The visual representation of land between the 16th and 17th centuries : an introduction to the early modern preoccupation with land in European societies (Master's dissertation).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/76652-
dc.descriptionM.A.BAR.STUDen_GB
dc.description.abstractThe subject of this essay was prompted by questions that persistently surfaced during lectures in Baroque Studies at the University of Malta. The lectures treated diverse humanistic subjects, proposed within the historical context of the late sixteenth century up to the early eighteenth century. At seemingly random moments each field of interest manifested some connection with forms of appropriation of land. Whether 'in political terms, in economic or capitalistic terms, or simply in the manner in which land was occupied and urbanised, each form of appropriation seemed to suggest its visual, painterly counterpart. The first question that prompted itself was whether landscape art was an early indication of a Modem preoccupation with Land, between the early-sixteenth and mid seventeenth century?en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectLandscape paintingen_GB
dc.subjectLand reformen_GB
dc.subjectArten_GB
dc.titleThe visual representation of land between the 16th and 17th centuries : an introduction to the early modern preoccupation with land in European societiesen_GB
dc.typemasterThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentInternational Institute for Baroque Studiesen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorVella, Theresa M (1999)-
Appears in Collections:Dissertations - FacBenHA - 1999-2013

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