The use of the pedals in Beethoven's piano works

Abstract

In this dissertation, I will seek to discuss Beethoven’s pioneering use of the pedals in his piano works, specifically in his piano sonatas. Two main concerns central to this research are: 1) the function of the pedals in Beethoven’s music; 2) adapting Beethoven’s pedal markings to the modern instrument. The thesis will investigate other related subjects: i) influences on Beethoven in the use of the pedals; ii) the different keyboard instruments available to Beethoven; and iii) an analytical approach to recordings and editions of Beethoven’s piano works. In the Introduction, I provide a cultural, intellectual and historical background to Beethoven’s time and milieu, as well as his approach and use of the pedals in his piano works. The first chapter explores important texts and treatises related to the subject of the pedals, including the first publications on the subject and the latest research, all within the framework of Beethoven’s piano works. The second chapter looks at the different keyboard instruments available to Beethoven, and how each particular instrument influenced his writing for the pedals. The third and final chapter explores Beethoven’s pedal markings in his piano works and how these can be adapted to the modern instrument. In this chapter, specific references to and analyses of various examples from Beethoven’s Piano Sonatas are made. The Conclusion attempts to synthesise all ideas, thoughts and findings articulated on the subject matter of this thesis, and how this influences my approach to Beethoven’s piano works.