Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/85027
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dc.contributor.authorLagana, Louis-
dc.date.accessioned2021-12-03T08:36:17Z-
dc.date.available2021-12-03T08:36:17Z-
dc.date.issued2018-
dc.identifier.citationLagana, L. (2018). Poetry in geometry. The Asian Conference on Arts & Humanities 2018, Kobe.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/85027-
dc.description.abstractToday some contemporary artists are trying to bring back the ancient images, because they feel that they were much closer to nature than the art of the industrial age. Certain Neolithic forms have been noticeable for a long time and they had great meaning for the ancient cultures. The centric circle, the spiral, the meander, the zigzag and many other shapes are still meaningful to us. Even if we cannot give the right interpretation of their symbolic significance, these forms have some kind of connection to human identity. Most of these geometric shapes have influenced many modern artists. Louis Casha is a Maltese painter who frequently uses geometric motifs and highly symbolical imagery. During the 1960’s, he was one of the first painters in Malta to make use of Maltese prehistoric imagery in his work. His interest to recreate something that had already been created by the prehistoric artist moves him so deeply whenever he paints. Malta’s prehistory is always in his mind. Casha finds a certain similarity between the prehistoric motifs and geometrical designs created in 'Op art'. This concept is expressed in most of his works.en_GB
dc.language.isoenen_GB
dc.publisherThe International Academic Forumen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectPaintingen_GB
dc.subjectArt, Prehistoric -- Maltaen_GB
dc.subjectOptical arten_GB
dc.subjectSymbolism in arten_GB
dc.subjectGeometric patternsen_GB
dc.titlePoetry in geometryen_GB
dc.typeconferenceObjecten_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.bibliographicCitation.conferencenameThe Asian Conference on Arts & Humanities 2018en_GB
dc.bibliographicCitation.conferenceplaceKobe, Japan, 30/03-01/04/2018en_GB
dc.description.reviewedpeer-revieweden_GB
Appears in Collections:Scholarly Works - JCArt

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