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DC Field | Value | Language |
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dc.contributor.author | Lagana, Louis | - |
dc.date.accessioned | 2021-12-03T08:36:17Z | - |
dc.date.available | 2021-12-03T08:36:17Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Lagana, L. (2018). Poetry in geometry. The Asian Conference on Arts & Humanities 2018, Kobe. | en_GB |
dc.identifier.uri | https://www.um.edu.mt/library/oar/handle/123456789/85027 | - |
dc.description.abstract | Today some contemporary artists are trying to bring back the ancient images, because they feel that they were much closer to nature than the art of the industrial age. Certain Neolithic forms have been noticeable for a long time and they had great meaning for the ancient cultures. The centric circle, the spiral, the meander, the zigzag and many other shapes are still meaningful to us. Even if we cannot give the right interpretation of their symbolic significance, these forms have some kind of connection to human identity. Most of these geometric shapes have influenced many modern artists. Louis Casha is a Maltese painter who frequently uses geometric motifs and highly symbolical imagery. During the 1960’s, he was one of the first painters in Malta to make use of Maltese prehistoric imagery in his work. His interest to recreate something that had already been created by the prehistoric artist moves him so deeply whenever he paints. Malta’s prehistory is always in his mind. Casha finds a certain similarity between the prehistoric motifs and geometrical designs created in 'Op art'. This concept is expressed in most of his works. | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | The International Academic Forum | en_GB |
dc.rights | info:eu-repo/semantics/openAccess | en_GB |
dc.subject | Painting | en_GB |
dc.subject | Art, Prehistoric -- Malta | en_GB |
dc.subject | Optical art | en_GB |
dc.subject | Symbolism in art | en_GB |
dc.subject | Geometric patterns | en_GB |
dc.title | Poetry in geometry | en_GB |
dc.type | conferenceObject | en_GB |
dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
dc.bibliographicCitation.conferencename | The Asian Conference on Arts & Humanities 2018 | en_GB |
dc.bibliographicCitation.conferenceplace | Kobe, Japan, 30/03-01/04/2018 | en_GB |
dc.description.reviewed | peer-reviewed | en_GB |
Appears in Collections: | Scholarly Works - JCArt |
Files in This Item:
File | Description | Size | Format | |
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Poetry_in_geometry_2018.pdf | 2.36 MB | Adobe PDF | View/Open |
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