A study into the narrative function of graphic design props that contribute to the illusion of fake authenticity in filmmaking

Abstract

The aim of this dissertation is to understand the importance of graphic design props that are featured in filmmaking i.e.: signage, letters, postcards, maps, packaging, newspapers etc,. These items can either seem so natural and authentic in a scene that they will immerse and transport the viewer in the experience, or they can break that air of authenticity with their unrefined qualities and, in turn, expose the hyperreality for what it truly is. The purpose of these props is to appear as though they are real and natural so that they push the narrative forward. In fact, “if you notice the work of a graphic designer in a scene, they probably haven’t done a very good job” (Gadgil, 2017). To fully understand this importance, I took on the role of a graphic designer in an attempt to create the authentically fake items that would be featured in a narrative adaptation. This process involved thorough research relating to the creation of hyperrealities, adaptations, as well as prop and film making to create digitally crafted graphic design props. The novel Strangers on a train by Patricia Highsmith was chosen in place of a film script due to its descriptive nature. In-depth research was carried out throughout the creation of the graphic design props for historical and geographical accuracy. My commitment towards accuracy and authenticity proved to be somewhat of a challenge since I was not personally familiar with most of the items and designs in question due to the fact that they were native in the United States during the 1950s. Today’s technology however, made for a smooth, albeit lengthy, research phase that pushed my researching and designing capabilities to new limits.