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dc.date.accessioned2022-02-04T13:12:14Z-
dc.date.available2022-02-04T13:12:14Z-
dc.date.issued2004-
dc.identifier.citationHuber, A.-P. (2004). Portfolio of compositions (Bachelor's dissertation).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/88325-
dc.descriptionB.A.(HONS)MUSICen_GB
dc.description.abstractThe sonata is "a term used to denote a piece of music usually but not necessarily consisting of several movements, almost invariably instrumental and designed to be performed by a soloist or a small ensemble. The solo and the duet sonatas of the Classical and Romantic periods with which it s now most :frequently associated generally incorporate a movement or movements in what has regrettably to be called Sonata Form (or 'first-movement form'), but in its actual usage over rather more than the last five centuries the title 'sonata' has been applied with much broader formal and stylistic connotations than this". From the Baroque period onwards, each period presents the Sonata. This musical form reached its climax in the Classical Period, when it formed the basis of most of the contemporary composers' compositions. This was later labelled as Sonata From i.e. ABA basic structure form. During the twentieth century, the term Sonata, took up a different meaning. During the first half of the century there is a deep shift to the roots of the sonata structure found in the Baroque and Classical periods, e.g., "Bartok also made a return to Baroque counterpoint in his Piano Sonata (1926), where again the shadow of Beethoven can be felt;" This was mainly thanks to the neo-classicists. The structure itself was being re-rooted, but most times, the combination of instruments was completely innovative.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectComposition (Music)en_GB
dc.subjectComposersen_GB
dc.titlePortfolio of compositionsen_GB
dc.typebachelorThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentSchool of Performing Arts. Department of Music Studiesen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorHuber, Andre-Paul (2004)-
Appears in Collections:Dissertations - PAMS - 1993-2012
Dissertations - SchPA - 1968-2011

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