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Title: | Flamenco : the construction of a gender ideology by way of the dance |
Authors: | Ghirlando, Louise (2002) |
Keywords: | Dance -- Spain Flamenco Music -- Andalusian influences |
Issue Date: | 2002 |
Citation: | Ghirlando, L. (2002). Flamenco : the construction of a gender ideology by way of the dance (Bachelor's dissertation). |
Abstract: | Any art form, and therefore also flamenco, echoes (by conforming to or by denying) its socio-political context. On the other hand, art itself is used as an apparatus of political ideology. Artists themselves may - and they do - also use their art as a means for pointing to and deconstructing ideology. Flamenco, deeply embedded in the patriarchal ideology of Andalusian society from which it emerged, is rich in a language of gender. Andalusians acquire this flamenco language and in the professional sphere they also deconstruct and play with it. |
Description: | B.(HONS)THEATRE |
URI: | https://www.um.edu.mt/library/oar/handle/123456789/89920 |
Appears in Collections: | Dissertations - PATS - 1968-2011 Dissertations - SchPA - 1968-2011 |
Files in This Item:
File | Description | Size | Format | |
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BA(HONS)THEATRE STUD_Ghirlando_Louise_2002.pdf Restricted Access | 2.34 MB | Adobe PDF | View/Open Request a copy |
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