Mystagogical catechesis through sacred art : the iconographic cycle at the MSSP oratory church

Abstract

Sacred art has been used as a window for worship since the time of the undivided Church, and although its development in both East and West gave rise to cultural particularities, the theology beneath it is by and large the same. One aspect of the use of sacred art is in the context of Mystagogical Catechesis. This has always been a significant factor in Christian art and spirituality, as all images and symbols are regarded as theology in colour. Furthermore, the comprehension of these mysteries is important for the Christian telos - the believer, through faith, understands the importance and desires to delve more deeply into the mystery. Humanity journeys towards God in the communion of faith which is manifested in the sacraments. The Church leads the faithful to initiate this relationship with the transcendent through liturgical catechesis and to make visible what is invisible with the guidance of the Scriptures. In the context of a renewed appreciation of Mystagogical Catechesis, it is compared to the 'Image of God,' perfectly seen in Jesus Christ, who is the true revelation of the mystery. The 'icon' of the Father is mirrored in the Son to reveal what is hidden. Thus, a sacred image is an essential aspect for the senses to perceive to open the window of the mystery which is still relevant today, for the spiritual journey to be complete. As a case study, I will be taking up the cycle of the six contemporary icons at the Missionary Society of Saint Paul (hereafter referred to as MSSP) Oratory in Birkirkara, written by Nathanael Theuma in 2014. This cycle, depicting the humanity and divinity of Jesus Christ, is an invitation to enter into the process of transformation in Christ.