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Title: | Here comes newer despair : an aesthetic primer for the new conceptualism of Johannes Kreidler |
Authors: | Erwin, Max |
Keywords: | Kreidler, Johannes, 1980- -- Criticism and interpretation Composers -- Germany -- 21st century Conceptualism Spahlinger, Mathias, 1944- -- Criticism and interpretation Music -- Germany -- 21st century -- History and criticism Music -- Germany -- 20th century -- History and criticism |
Issue Date: | 2016 |
Publisher: | Cambridge University Press |
Citation: | Erwin, M. (2016). Here comes newer despair: an aesthetic primer for the new conceptualism of Johannes Kreidler. Tempo, 70(278), 5-15. |
Abstract: | This article seeks to clarify the aesthetic precedents for New Conceptualism generally, and Johannes Kreidler’s work in particular. Pursuant to this end, I examine how Kreidler’s approaches to musical and political material are ideologically indebted to his teacher, Mathias Spahlinger, whose dictum that New Music can be socially relevant without resorting to political clichés is taken by Kreidler into the digital age. Finally, by means of a conclusion, I attempt to provide a broad examination of how Kreidler’s aesthetic concerns differ from – and sometimes radically conflict with – those other composers who are grouped under the New Conceptualism letterhead. |
URI: | https://www.um.edu.mt/library/oar/handle/123456789/94904 |
Appears in Collections: | Scholarly Works - SchPAMS |
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