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https://www.um.edu.mt/library/oar/handle/123456789/94927
Title: | Darmstädter Ferienkurse 2021 |
Authors: | Erwin, Max |
Keywords: | Internationale Ferienkurse für Neue Musik Concert programs -- Germany -- Darmstadt Music -- Germany -- Darmstadt -- 21st century -- History and criticism |
Issue Date: | 2022 |
Publisher: | Cambridge University Press |
Citation: | Erwin, M. (2022). Darmstädter Ferienkurse 2021. Tempo, 76(299), 83-87. |
Abstract: | Darmstadt was a bit different this year. The original 1946 courses had 120 registered participants in situ; I was told that the number this time around was larger (around 140), but only just. As an announcement for the final post-concert wrap stated, this was the COVID-19 courses. So: much smaller, much more concentrated, with almost every performance streamed online, and every other seat in the concert hall marked off with a weird sort of police tape with the Darmstadt logo on it. It’s difficult to write about these things without lapsing into world-historical rhetorical posturing, as if the best lens to view the series of overlapping catastrophes we are living through is a biannual summer course for what, for better or worse, continues to be referred to as New Music. [excerpt] |
URI: | https://www.um.edu.mt/library/oar/handle/123456789/94927 |
Appears in Collections: | Scholarly Works - SchPAMS |
Files in This Item:
File | Description | Size | Format | |
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Darmstadter_Ferienkurse_2021.pdf Restricted Access | 99.06 kB | Adobe PDF | View/Open Request a copy |
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