Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/95033
Title: Darmstädter Ferienkurse 2018
Authors: Erwin, Max
Keywords: Internationale Ferienkurse für Neue Musik
Concert programs -- Germany -- Darmstadt
Music -- Germany -- Darmstadt -- 21st century -- History and criticism
Music critics
Issue Date: 2019
Publisher: Cambridge University Press
Citation: Erwin, M. (2019). Darmstädter Ferienkurse 2018. Tempo, 73(287), 96-101.
Abstract: If this review contained a single sentence on every piece that was performed – let alone every lecture, discussion, or open forum – from 14 to 28 July in Darmstadt, it would easily be book-length. Like, big book – maybe not Taruskin big, but definitely Rutherford-Johnson big. I have, for the most part, written about the bits that particularly struck me and tried to make sense of them both in themselves and in the context of the courses. This was especially difficult to do this year, because there really was no singular takeaway either being presented, advocated or otherwise offered, which is quite remarkable, but makes narrowing down review material even more fraught. None of the pieces discussed below get the full description and analysis that they deserve – this is just a first attempt to make sense of things that happened. [excerpt]
URI: https://www.um.edu.mt/library/oar/handle/123456789/95033
Appears in Collections:Scholarly Works - SchPAMS

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