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DC Field | Value | Language |
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dc.contributor.author | Erwin, Max | - |
dc.date.accessioned | 2022-05-04T15:12:47Z | - |
dc.date.available | 2022-05-04T15:12:47Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Erwin, M. (2019). Berlin PianoPercussion, Crossing Currents. Telos: TLS227 [Album review]. Tempo, 73(287), 112-113. | en_GB |
dc.identifier.uri | https://www.um.edu.mt/library/oar/handle/123456789/95048 | - |
dc.description.abstract | The performative turn in our field has, a bit further down the New Music production line, resulted in a shift away from composer-portrait CDs (the foundational model of the Deutsche Musikrat) towards ensemble-portrait CDs. One of the less obvious consequences of this shift is the increased importance (or at least emphasis) on performers as curators. The present disc, therefore, is as much a product of Berlin PianoPercussion’s artistic director Prodromos Symeonidis. To be sure, this is far from an external position: Symeonidis, alongside Ya-ou Xie, is one of the founding members of the ensemble and performs as a pianist in all but the final track of the disc; for her part Xie performs both as a pianist and occasional conductor of the ensemble. While the forces employed in their repertoire never appear to exceed two pianos and two percussionists, the ensemble boasts six total members who rotate on different pieces: Symeonidis, Xie, and Sawami Kiyoshi as pianists and Adam Weisman, Matthias Buchheim, and Michael Weilacher as percussionists (although Weilacher is not listed on their website as an ensemble member). [excerpt] | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | Cambridge University Press | en_GB |
dc.rights | info:eu-repo/semantics/restrictedAccess | en_GB |
dc.subject | Albums -- Reviews | en_GB |
dc.subject | Ensemble Berlin PianoPercussion (Musical group) | en_GB |
dc.subject | Ensemble Berlin PianoPercussion (Musical group). Crossing Currents -- Criticism and interpretation | en_GB |
dc.subject | Symeonidis, Prodromos, 1972- | en_GB |
dc.subject | Pianists -- Greece | en_GB |
dc.title | Berlin PianoPercussion, Crossing Currents. Telos : TLS227 [Album review] | en_GB |
dc.type | article | en_GB |
dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
dc.description.reviewed | peer-reviewed | en_GB |
dc.identifier.doi | 10.1017/S0040298218000815 | - |
dc.publication.title | Tempo | en_GB |
Appears in Collections: | Scholarly Works - SchPAMS |
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File | Description | Size | Format | |
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Berlin_PianoPercussion_Crossing_Currents_2019.pdf Restricted Access | 37.66 kB | Adobe PDF | View/Open Request a copy |
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