Please use this identifier to cite or link to this item:
https://www.um.edu.mt/library/oar/handle/123456789/95093| Title: | Donaueschingen 2017 |
| Authors: | Erwin, Max |
| Keywords: | Concerts -- Reviews Music festivals -- Germany -- Donaueschingen -- History -- 21st century Music festivals -- Germany -- Donaueschingen -- History and crtiticism Music -- 21st century -- History and criticism Concert programs -- Germany -- Donaueschingen |
| Issue Date: | 2017 |
| Publisher: | Cambridge University Press |
| Citation: | Erwin, M. (2018). Donaueschingen 2017 [Concert review]. Tempo, 72(284), 70-74. |
| Abstract: | Introduction: Donaueschingen is three (and a half) days of nearly constant concerts; this review is around 3000 words. I have divided into two sections. The first details the concerts that either myself or the Introduction: Donaueschingen audience considered to be of particular note, one way or another. The second deals with approaches to musical practice and issues raised by certain talks and performances. The date of composition for all of the pieces mentioned below is 2017 unless otherwise stated. |
| URI: | https://www.um.edu.mt/library/oar/handle/123456789/95093 |
| Appears in Collections: | Scholarly Works - SchPAMS |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Donaueschingen_2017.pdf Restricted Access | 108.9 kB | Adobe PDF | View/Open Request a copy |
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