Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/9636
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dc.date.accessioned2016-04-19T08:57:19Z
dc.date.available2016-04-19T08:57:19Z
dc.date.issued2015
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/9636
dc.descriptionLL.D.en_GB
dc.description.abstractThe aim of this thesis is to identify the major copyright exploitation methods in the digital age and the legislative frameworks and initiatives having bearing on this very important industry in the EU. Copyright exploitation was made possible through the historic development of the externalisation of the works of the mind, which were not immediately recognised throughout history, and in fact came much later than standard ownership over other forms of property. This thesis discussed the philosophical development of the concepts leading to copyright exploitation with a focus then being made on the premier mode of exploitation in the digital world, licensing albeit from a consumer perspective. Mass-market licensing forms are delved into together with challenges technological prowess imposes on copyrighted content agreements. The principle of exhaustion is a topical issue in the sphere of digital content subject to copyright protection and together with other consumer rights in digital content is an area of great uncertainty. This thesis seeks to expose these difficulties which consumers transacting in digital content face on a daily basis. Consumers are uncertain about the nature of the transaction, which affects their rights especially if problems crop up. Dealing in licensed content is commonly referred to as buying and selling which in other industries would entail a transfer of ownership, however, although buying a tangible book and a digital e-book may seem equivalent, the former transfers ownership in the copy while the latter only grants a limited right of use. Copyrighted content is also treated differently vis-à-vis consumer rights depending on its mode of exploitation, with inequalities subsisting between tangible and intangible forms of distribution. Finally, future initiatives in the realm of copyright exploitation on a EU wide level is also discussed in the face of criticism to what till now is still only a piece meal harmonisation approach.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectDigital media -- Law and legislation -- European Union countriesen_GB
dc.subjectConsumer protection -- Law and legislation -- European Union countriesen_GB
dc.subjectIntellectual propertyen_GB
dc.titleCopyright exploitation in the digital world : ownership, licensing and the consumeren_GB
dc.typemasterThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentFaculty of Laws. Department of Commercial Lawen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorFalzon, Deo
Appears in Collections:Dissertations - FacLaw - 2015
Dissertations - FacLawCom - 2015

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