Date: Thursday 27 April 2023
Time: 18:00
Venue: Room 414, Level 4, MAKS Building, University of Malta
Speaker: Prof. Gianpiero Vincenzo - Accademia di Belle Arti, Catania
This event is being organised by the Department of Digital Arts at the Faculty of Media and Knowledge Sciences (MAKS).
Towards an understanding of the contemporary imaginary, linked to the history of capitalism and its influence on consumption and the arts.
Attendance is free, however kindly confirm your seat by sending an email to Ms Simone Chircop.
Abstract: Capitalism and the Imaginary
While the importance of imagery in general has been gradually rediscovered during the 20th century, few steps have been taken toward an in-depth understanding of contemporary imagery related to the history of Capitalism and its influence on consumption and the arts. Some notes will be presented during the talk that aim to fill, however little, a still relatively unknown field. The form of the notes allows for temporal and logical leaps without too many formal concerns. As part of a general reflection on human nature, the history of objects and the myth of the State will be reconstructed to see how, after the Second Industrial Revolution, Capitalism reconstructed an imaginary made precisely in its own "image." Consumerism and Cinema are seen in this sense as the mythological reconstruction of the object and the Hero, the last understood as a representation of the State. It will be necessary at times to return to the concept of "imaginary" and those of "symbol" and "ritual" which in turn constitute its presupposition. A quick look at the multiverse, spread from science to literature to cinema especially in the 21st century, is nothing but a representation of the imaginary in its constituent elements.
Prof. Gianpiero Vincenzo
Accademia di Belle Arti Catania
Gianpiero Vincenzo holds the chair of Sociology at the Accademia di Belle Arti in Catania. For years he has been conducting research on social rituals and the connections between consumerism and the culture industry, as in New Ritual Society: Consumerism and Culture in the Contemporary Era (Cambridge Scholars Publishing, 2018). In his work, visual cultures emerge as a fundamental component in the construction of the symbolic imaginary of a society, a theme to which he has also dedicated Starbucks in Milan and the Don Quixote Effect (Meltemi, 2018) and The Ritual Order and Digital Society, an essay on human nature (Mimesis, 2021). He has written novels translated into several languages and screenplays. He is a professor at the Academy's newly established Film School and a curator of contemporary art.