The theoretical basis of what was essentially an interdisciplinary conference was laid out by Soulages’s presentation of the philosophy of uncertainty. He notably refers to Michel Serres who takes a risk on truth.
Démosthène Agrafiotis dwells on uncertainty and performance. Gabriel Baudrand branches out into another field and tackles uncertainty in quantum physics, in mathematics and, not least, in logic. The literature papers are the work of Dominique Lanni, Vincent Metzger, Anabel Said, Hélène Sirven and Prof. Richard Spiteri.
With Soulages being a philosopher of the image, it is no surprise that a share of this volume is devoted to the aesthetics of photography. Such are the papers of Bernard Koest and Gilles Picarel. Besides one can read with pleasure as well the papers on photography by contributors from South-East Asia: Jae Joon Chung, Juae Eum, Yi-Chen Liu and Bohnchang Koo.
Dr Marilyn Mallia moves on to cinema, more exactly on Truffaut.