LAURI-LUCENTE, G., 2020. Far parlare i morti: La spettralità di Anime nere di Francesco Munzi
. Polifonia musicale. Le tante vie delle melodie italiane in un mondo transculturale. Firenze: Franco Cesati Editore, pp. 187-193.
LAURI-LUCENTE, G., 2020. North and South Televised: The BBC Productions of 1975 and 2004. Metamorfosi vittoriane. Riscritture, riedizioni, traduzioni, transcodificazioni. Chieti: Solfanelli, pp. 59-81.
LAURI-LUCENTE, G., 2020. Resurrecting the Suffragettes on Screen: Spectropoetics and Spectropolitics in Sarah Gavron's 'Suffragettes'. In: M. COSTANTINI and A.E. SOCCIO, eds, Victorian Challenges. La ricerca del nuovo nella letteratura inglese dell'Ottocento. Lanciano: Carabba, pp. 267-279.
LAURI-LUCENTE, G., 2019. North and South in televisione: le serie BBC del 1975 e del 2004. In: F. MARRONI, ed, Elizabeth Gaskell. Saggi su una scrittrice vittoriana controcorrente. Edizioni Croce edn. pp. 161-185.
VOLUME EDITOR, G.L. and GENERAL EDITOR, P.V., eds, 2019. Journal of Anglo-Italian Studies. XVII edn. Malta: Malta University Publishing.
LAURI-LUCENTE, G., 2018. Filming Silence and the Invisible: Jane Austen, Patricia Rozema and Mansfield Park. In: F. MARRONI and F. D'ALFONSO, eds, Jane Austen, Silenzi, lacune, allusioni. Carabba, pp. 123-133.
LAURI-LUCENTE, G., 2018. Lest we Forget: The Illusion of the Great War on Celluloid in Britain and Italy. Merope, (67), pp. 111-128.
LAURI-LUCENTE, G., 2018. Pursuit, Flight, and Frigidity in Ovid's Myth of Apollo and Daphne. Merope, (65), pp. 5-26.
LAURI-LUCENTE, G., 2017-2018. Nothing is as it seems: Venice and its Spectral Other in Nicolas Roeg's 'Don't Look Now'. Journal of Anglo-Italian Studies, 16, pp. 105-115.
VOLUME EDITOR, G.L. and GENERAL EDITOR, P.V., eds, 2017-2018. Journal of Anglo-Italian Studies. XVI edn. Malta: Malta University Publishing.
LAURI-LUCENTE, G., 2016. 'Demon Barbers', 'Scarecrows of Fidelity', and 'Dialogicl Deviances' in Neo-Vicotiran Film: The Case of the French Lieutenant's Woman. Rivista di Studi Vittoriani, XXI(41), pp. 7-32.
VOLUME EDITOR, G.L. and GENERAL EDITOR, P.V., eds, 2016. Journal of Anglo-Italian Studies. XV edn. Malta: Malta University Publishing.
LAURI-LUCENTE, G., 2015. Fidelity to Great Expectations Deepened: Dickens, Lean, and Cuarón. In: A.C. CHRISTENSEN, F. MARRONI and D. PAROISSIEN, eds, Dialogic Dickens: Invention and Transformation. Chieti: Solfanelli, pp. 175-195.
LAURI-LUCENTE, G., 2015. Nostalgia and Nostophobia: Filming Englishness and Italianness in A Room with a View and Where Angels Fear to Tread. Forster Revisited, Merope, Francesco Marroni, Gloria Lauri-Lucente, Tania Zulli (co-eds.), Anno XIII(60-61), pp. 35-57.
LAURI-LUCENTE, G., 2014. History, Film, and Mafia Narratives. The Case of Francesco Rosi's Salvatore Giuliano, At the Borders of (Film) History. Temporality, Archaeology, Theories 2014, pp. 399-408.
LAURI-LUCENTE, G., 2014. Parking Orientalism on Screen: Jane Austen, Edward Said and Patricia Rozema. Rivista di Studi Vittoriani, XVIII-XIX(36-37), pp. 45-67.
LAURI-LUCENTE, G., 2014. Sanguineti: La vera poesia, se rinascerà, ripartirà dalla contestazione,’ Interview conducted with Gregory L. Lucente. Madrelingua, Supplemento di ‘Pagine della Dante’, Anno III(4),.
LAURI-LUCENTE, G., 2014. Translating Dante’s Divine Comedy. An Interview with Robert Hollander. Journal of Anglo-Italian Studies, Gloria Lauri-Lucente (volume editor), Peter Vassallo (general editor), XIII-XIV, pp. 219-234.
VOLUME EDITOR, G.L. and GENERAL EDITOR, P.V., eds, 2014. Journal of Anglo-Italian Studies. XIII-XIV edn. Malta: Malta University Publishing.
LAURI-LUCENTE, G., 2013. Petrarch and the Birth of Style. In: G. LAURI-LUCENTE, I. CALLUS and J. CORBY, eds, Style in Theory. Between Philosophy and Literature. London: Bloomsbury, pp. 31-48.
LAURI-LUCENTE, G., CALLUS, I. and CORBY, J., eds, 2013. Style in Theory. Between Philosophy and Literature. London: Bloomsbury.
VOLUME EDITOR, G.L. and GENERAL EDITOR, P.V., eds, 2013. Journal of Anglo-Italian Studies. XII (double issue) edn. Malta: Malta University Publishing.
LAURI-LUCENTE, G., 2011. The Fatal Allure of Sicily in Francis Ford Coppola’s The Godfather Trilogy. Journal of Anglo-Italian Studies, XI, pp. 149-161.
LAURI-LUCENTE, G., 2011. Pride and Prejudice in Fidelity Criticism. The Case of Jane Austen’s Emma. In: F. MARRONI and G. LAURI-LUCENTE, eds, Jane Austen’s Emma: Revisitations and Critical Contexts. Rome: Aracne, pp. 37-64.