Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/127501
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dc.contributor.authorVella, Raphael-
dc.contributor.authorCutajar, Maria-
dc.contributor.authorZammit, Charmaine-
dc.contributor.editorVictoria Pavlou-
dc.date.accessioned2024-10-10T11:58:26Z-
dc.date.available2024-10-10T11:58:26Z-
dc.date.issued2024-
dc.identifier.citationVella, R., Cutajar, M., & Zammit, C. (2024). Micro-Teaching at the University of Malta. In V. Pavlou (Ed.), Critical Arts Education for Sustainable Societies. A Handbook for Arts Educators (pp. 139-149). Cyprus: Frederick University.en_GB
dc.identifier.isbn9789925791125-
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/127501-
dc.descriptionThe Handbook is available in open access from: https://care-ss.frederick.ac.cy/docs/E-Book5-CARE-SS_new.pdfen_GB
dc.description.abstractThis chapter describes the micro-teaching sessions developed in relation to two programmes for teachers following the CARE/SS courses in Malta. It describes the tasks given to teachers and the different outcomes and types of presentations, as well as the teachers’ own assessment of these tasks. The chapter begins with a discussion of micro-teaching within the context of continuous professional development courses for teachers and then focuses on the micro-teaching sessions developed by the University of Malta CARE/SS team and teachers. Microteaching helps teachers refine skills such as the use of digital technologies and receive immediate, constructive critique from peers and academics, enabling them to reflect on their practice. One of the advantages is the safe, supportive environment in which they are held. In Malta, the two classes were actually quite small, which meant that the setting provided a lowrisk environment where teachers could experiment with new teaching methods and techniques without the fear of failure. While this supportive setting fostered creativity in teaching, some sessions tended to be more like traditional presentations. In one of the courses in Malta, the micro-teaching sessions also facilitated peer learning, collaboration, and interdisciplinary learning, as teachers from different arts subjects approached topics from their specific perspectives. The chapter analyses the two courses critically, understanding how tasks could have been further improved.en_GB
dc.description.sponsorshipCofunded by the European Union: Erasmus+, KA2: Strategic Partnerships for higher education, KA220-HED - Cooperation partnerships in higher educationen_GB
dc.language.isoenen_GB
dc.publisherFrederick University, Cyprusen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectTeaching -- Philosophyen_GB
dc.subjectEducation -- Study and teachingen_GB
dc.subjectTeachers -- Training ofen_GB
dc.titleMicro-teaching at the University of Maltaen_GB
dc.title.alternativeCritical arts education for sustainable societies. A handbook for arts educators.en_GB
dc.typebookParten_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedpeer-revieweden_GB
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