Issue Date	Title	Author(s)
2017	Racism and resistance : from slave dances to African American concert dance	Armato, Anna
2017	The problematic behaviour of theatre in late twentieth-century Macedonia	Ilich, Vladislav
2017	Boy actors in Shakespearean theatre	Mifsud, Rebecca Julia
2017	A violin recital from a performer’s perspective	Calleja, Stefan
2017	Oppression, agency, and appropriation in the work of Josephine Baker	Keiser-Nielsen, Marie
2017	Framing Abramovic : a performance artist’s use of body, space and technology	Rizzo, Martina
2017	Time, space, and the generation of the persona in Sarah Kane’s ‘4.48 Psychosis’	Camilleri, Mireille Estelle
2017	Dance improvisation as guide in self-study, creative exploration, and empowerment	Fekete, Blanka Sára
2017	The art of musical transcription and arrangement : benefits and challenges experienced by a classical saxophonist	Mallia, Samuel
2017	The performance practice and interpretation of a selection of soprano arias and works	Rapa, Antonella
2017	Hip-Hop dance in Malta : history, theory, and ethnography	Camilleri Pace, Rebecca
2017	How can dance help express emotions with special reference to people with Parkinson’s disease?	Muschamp, Natalie
2017	The situation of the female playwright in the contemporary theatre scene	Weenink, Stefanie
2017	Malta’s cultural public sphere and its interchange with national cultural policy	Bonnici, Stephanie
2017	The thematisation of mental and physical issues in contemporary devised theatre	Saguna, Rebecca
2017	From Stanislavski to Adler : an actor’s work on the character	Agius, André George
2017	Themed music in a twenty-first century idiom	Abela, Ryan Paul
2017	Six piano works by Antonio Nani (1842-1929) considered in their social and cultural contexts	Farrugia, Mark
2017	Gestus and music : the development of gestic music and its relevance to music theatre performance	Aleksovski, Nenad