Issue Date	Title	Author(s)
2024	André Jolivet’s ‘Cinq incantations’ and ‘Chant de Linos’ : analysis, historical context and performance	Galea, Clara (2024)
2024	A multidisciplinary compositional approach for clarinet and saxophone	Vella, Luke (2024)
2024	Exploring the role of the wrist in Viennese piano technique	Refalo, Marija (2024)
2024	Jazz in 1950s Strait Street : history, repertoire, and legacy	Ellul Bonici, Louise (2024)
2024	Preparatory exercises for the voice : constructing a versatile toolbox for soprano	Borg, Mariette (2024)
2024	Acting the song : integrating Stanislavsky’s techniques and the estill method into musical theatre training	Galea, Michela (2024)
2024	Legacies and crisis of musical historicism in Thomas Mann’s Doctor Faustus	Jatosti, Alice (2024)
2024	Grease : a case study of the cinematic influence on the staging of musical theatre	Grech, Jeremy Paul (2024)
2024	National identity in Maltese popular songs of the 1970s	Caruana, Megan May (2024)
2024	The technique of piano touch : exploring how piano players adjust their touch on various types of pianos	Buttigieg, Steve (2024)
2024	The various schools of clarinet playing from the romantic period to the present	Schembri, Michela (2024)
2024	Word painting and balance in choral ensembles	Shorthose, Jack Michael Hammer (2024)
2024	Eternal echoes : exploring the role of music in horror video games	Cassar, Jean-Paul (2024)
2024	Theatrical practices to elicit political conversation : a comparative study of the techniques of Sophocles and Brecht	Mangani, Martha Maria (2024)
2024	Actor training based on Copeau’s work	Szyszka, Dominika (2024)
2024	The Dublin Gate Theatre Company in the Royal Opera House, Valletta : navigating politics, media and entertainment	Manicolo, Jalen (2024)
2024	Presence as performance : exploring Patsy Rodenburg’s method for actors	Cassar, Emma Charlene (2024)
2024	Maltese drummer and percussionist George Caruana (aka Tony Carr) : career, musical styles, and adaptability	Camilleri, Joseph (2024)